Moris

  • Dos esposas y el borracho, 2022

    Silkscreen and archival pigment on paper
    141.5 x 108 cm
    Edition of 5
    Published by Anémona Editores

  • El odio y el ciego, 2022

    Silkscreen and archival pigment on paper
    141.5 x 108 cm
    Edition of 5
    Published by Anémona Editores

  • Los robachicos y el ladrón, 2022

    Silkscreen and archival pigment on paper
    141.5 x 108 cm
    Edition of 5
    Published by Anémona Editores

  • Víctimas de sus padres y el soldado, 2022

    Silkscreen and archival pigment on paper
    141.5 x 108 cm
    Edition of 5
    Published by Anémona Editores

  • Ningún animal tiene el derecho a preocuparse
    por lo que pueda ocurrir mañana [No animal has the right to worry for what could happen tomorrow], 2011

    Artist's Book
    Screen print and archival pigment on paper
    38 x 29 x 2 cm
    Book in 2 tomes
    Edition of 12
    Published by TPT Gráfica

Stacks Image 365

Moris (Israel Meza Moreno)
(Ciudad de México, 1978)

Moris studied Fine Arts at the Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda", Mexico. He won the SIVAM Visual Arts acquisition award and was recognized with the Cisneros Fontanals Art Foundation grant (CIFO Grants & Commissions Programs Awards). He has participated in solo and group exhibitions in countries such as Mexico, Germany, Chile, United States, Spain, Cuba, Brazil, Sweden and Austria. His work is part of important contemporary art collections such as Fundación Colección Júmex, MoMA, LACMA, Colección Bergé, Colección FEMSA, Ella Cisneros Fontanals Collection, Colección Isabel and Agustín Coppel, among many others.

The author comments regarding his work: "What I intend to generate in the spectator is the survival instinct. Even though the piece is aggressive and will attack you, then -at that moment- you have to awaken that instinct to keep your distance, outwit it or attack it. It's like when you go out into the street, you have to go with sharp claws. That's how I generate creative solutions so that people are complicit with the piece".