Iván Krassoievitch
Signos, 2024
Artist's Book
Silkscreen and inkjet print with archival pigments on paper
32 x 38 x 3 cm
Edition of 10
Published by Anémona Editores
Tonal Poem: Rotation, 2021
Silkscreen and gold leaf on high density panel
76 x 58 x 1.6 cm
Edition of 12
Published by Anémona Editores / I. Krassoievitch
Tonal Poem: There is a solitude of space, 2022
Silkscreen and gold leaf on high density panel
76 x 58 x 1.6 cm
Edition of 12
Published by Anémona Editores / I. Krassoievitch
Tonal Poem: Ah Tlamiz, 2022
Silkscreen and gold leaf on high density panel
76 x 58 x 1.6 cm
Edition of 12
Published by Anémona Editores / I. Krassoievitch
Iván Krassoievitch
(Mexico City, 1980)
Lives and works in Mexico City. He studied Industrial Design at the Universidad Autónoma Metropolitana, Film Script at the Centro de Capacitación Cinematográfica and the Educational Program at SOMA. He has participated in different poetry workshops and laboratories, such as Experimental Poetry with Ricardo Pohlenz and Contemporary Latin American Poetry with Eduardo Milán.
His work has been exhibited in Finland, Denmark France, Argentina, United States, Italy and Colombia. In Mexico, his work has been exhibited at the Siqueiros Public Art Room, the Chopo University Museum, the Modern Art Museum, MUCA Roma, Museo de San Carlos among others. He has participated in artists residencies such as Arteles in Finland, Casa Wabi in Oaxaca, CAPC musée d'art contemporain in France, Proyecto URRÁ in Argentina and Taller Los Guayabos in Guadalajara.
“Krassoievitch is a multidisciplinary artist. His work can be defined as a conceptual, philosophical and didactic reflection towards written language. For some years now, he has focused on questioning and re-decoding texts, concentrating on literary genres such as poetry and the manifesto.
From this starting point, the artist exposes the possibility of writing poems without using words, developing a wide range of works that can be interpreted as pieces of text with no text at all. Krassoievitch's work translates, takes up and dislocates writing elements: visual poetry; editorial projects and conceptual art, among others, in order to propose a revision and reassessment of one of the characteristic features of our species: language."